Rajinikanth Lal Salaam Movie Review
Introduction:
Aishwarya Rajinikanth’s directorial venture, “Lal Salaam,” hits the screens today, featuring Superstar Rajinikanth in a special role alongside Vishnu Vishal and Vikrant in lead roles. Let’s delve into our review to uncover how this film fares.
Plot Summary:
Set in the backdrop of Kasumuru village, “Lal Salaam” revolves around the story of two former friends turned bitter rivals, Guru (Vishnu Vishal) and Samshuddin (Vikrant). Their lives take an unexpected turn after a tragic incident. Meanwhile, Moideen Bhai (Rajinikanth), a textile businessman from Mumbai, has connections with Guru’s village. The narrative unfolds as the villagers face humiliation from another village, leading to a series of events that involve escalating conflicts, Moideen Bhai’s intervention, and the eventual fate of the once-close friends.
Pros:
Vishnu Vishal delivers a commendable performance, aptly capturing the essence of his character. The portrayal of the village atmosphere and retro aesthetics is skillfully executed.
Vikrant’s portrayal is adequate, and Rajinikanth shines with his mannerisms and selective dialogues in the role of Vikrant’s father.
Jeevita Rajasekhar impresses with her natural presence, while the supporting cast delivers satisfactory performances.
Cons:
The film’s plotline and sluggish screenplay are its major drawbacks. Aishwarya Rajinikanth’s attempt to convey a message lacks novelty, echoing themes seen in numerous old movies. A deeper emotional connection could have been established with better writing and direction.
Emotional sequences lack impact, exacerbated by the absence of a compelling background score, diminishing their effectiveness.
The unfamiliar cast, coupled with questionable dubbing choices and underwhelming performances, hinders audience engagement.
Aishwarya Rajinikanth’s direction falls short of elevating certain scenes, and the inclusion of peripheral characters adds little value to the narrative.
Technical Aspects:
Aishwarya Rajinikanth’s roles as both screenplay writer and director fail to deliver a captivating experience. The thin plot and sluggish pacing, particularly in the second half, test the audience’s patience.
While Pravin Baaskar’s editing and Vishnu Rangasamy’s cinematography are satisfactory, AR Rahman’s score fails to leave a lasting impression, and the film’s lengthy runtime further diminishes its impact.
Verdict:
“Lal Salaam” presents a lackluster viewing experience, with average performances by its lead actors as its main redeeming qualities. Despite Rajinikanth’s presence, the film’s shortcomings, including subpar writing, sluggish pacing, and an underwhelming score, overshadow its strengths. Viewers are advised to explore other entertainment options this weekend, as “Lal Salaam” falls short of expectations.
