Dil Raju: “NTR, Prabhas, Mahesh & Pawan Kalyan Supported Me When I Needed It Most”

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Dil Raju: “NTR, Prabhas, Mahesh & Pawan Kalyan Supported Me When I Needed It Most”

Dil Raju Gets Candid: Top Stars Helped Me in Crucial Times

Veteran Tollywood producer Dil Raju stole the spotlight at the recent promotional event of Thammudu, his upcoming film starring Nithiin, with an emotional speech that touched the hearts of fans and industry members alike.

In a rare moment of candor, Dil Raju acknowledged the unwavering support he received from four of Tollywood’s biggest superstars—Jr. NTR, Prabhas, Mahesh Babu, and Pawan Kalyan—at critical junctures in their career.

 “They Backed Me When I Needed It Most.” – Dil Raju

“It was Jr. NTR during Brindavanam, Prabhas during Mr. Perfect, Mahesh Babu during Seethamma Vakitlo Sirimalle Chettu, and Pawan Kalyan during Vakeel Saab. They all backed me, gave me confidence, and helped me make bold decisions when things were financially tight,” said Dil Raju.

He emphasized that making a movie isn’t just about locking a hero—it’s about open conversations around project economics, realistic expectations, and collaboration.

 A Reality Check for Today’s Producers

Dil Raju didn’t shy away from offering critical insights into today’s production trends:

“Today’s producers lack patience. Everyone’s rushing to get stars on board. They fear someone else might grab the chance if they wait—even before talking about the script or budget properly.”

His statement serves as a reminder that long-term industry success often comes from trust-based collaborations, not just commercial shortcuts.

 About Thammudu

Thammudu, produced by Dil Raju’s Sri Venkateswara Creations, stars Nithiin in the lead role and promises a fresh concept with emotional depth. More updates from the team are expected soon.

Rana Daggubati on North-South Unity in Cinema: “Let Culture Thrive, Aid Each Other Technically”

Angelina FMIM
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Rana Daggubati on North-South Unity in Cinema: “Let Culture Thrive, Aid Each Other Technically”

Rana Daggubati Shares His Perspective on Bridging North-South Film Industries

As Rana Daggubati gears up for the release of Rana Naidu Season 2, which premieres on June 13, the actor has been actively promoting the show across platforms. During a recent interview, Rana addressed a recurring topic in Indian cinema—the gap between the North and South film industries and how the two can collaborate more effectively.

When asked about the long-standing debate surrounding this divide, Rana offered a candid and thoughtful response.

“If we all decided to work from one place, we’d become a single industry overnight. But our country is vast and multilingual, so communication becomes a challenge,” he stated.

Rana emphasized that while the pan-India wave has broadened the scope of regional cinema, it has also come at a cost:

“In trying to go pan-India, we lost some of our Telugu cultural roots. Not every film needs to be a pan-India project—we should be okay with telling stories rooted in our own culture,” he added.

Calling India a land of “Unity in Diversity,” Rana stressed that collaboration should come through shared distribution models, technology, and filmmaking processes, rather than forcing cultural uniformity.

His nuanced take highlights the importance of celebrating regional diversity while building platforms for nationwide collaboration and technological growth in Indian cinema.

Tollywood Turmoil: Pawan Kalyan vs Producers, Theatre Strike Sparks Industry Crisis

Angelina FMIM
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Tollywood Turmoil: Pawan Kalyan vs Producers, Theatre Strike Sparks Industry Crisis

What’s Going On in Tollywood? Industry Faces Major Turmoil After Strike Drama

Tollywood is no stranger to action, on-screen and off. But this time, the drama has taken center stage off-screen, shaking the very foundations of the Telugu film industry. A chain reaction began in late May with the announcement of a statewide theater shutdown from June 1, causing ripples across the industry and culminating in a confrontation involving Deputy Chief Minister Pawan Kalyan.

Pawan Kalyan, whose long-delayed film Hari Hara Veera Mallu was scheduled for a June 12 release, took a strong stance against the strike. In a fiery statement, he accused producers of lacking dignity and gratitude, causing the strike to be called off swiftly.

Following this escalation, high-profile producers like Dil Raju and Allu Aravind held contrasting press conferences to explain the situation. While both denied sabotaging Kalyan’s film, their narratives revealed deep cracks within the industry’s leadership and communication.

The drama didn’t end there. Suniel Naga, president of the Telangana Film Chamber of Commerce, abruptly resigned, adding further instability. His resignation was followed by the Chamber Secretary urging top Telugu stars to take more responsibility for their films and the overall state of the industry.

All this comes at a time when Tollywood is already facing a decline in footfall and waning public interest in theatrical releases. Industry politics, poor communication, and ongoing disputes are now risking long-term damage to the reputation and viability of Telugu cinema.

2 Crore Vs 10 Crore: Rana Daggubati Reveals Why South Indian Films Thrive

Angelina FMIM
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2 Crore Vs 10 Crore: Rana Daggubati Reveals Why South Indian Films Thrive

2 Crores Vs 10 Crores: Rana Daggubati Breaks Down Bollywood’s Budget Burden

Rana Daggubati is one of the few South Indian actors who has successfully made a mark in North Indian cinema. With a strong presence in Telugu films and a decent run in Bollywood, Rana brings a unique perspective on how both industries function—and recently, he shared some hard-hitting truths about the cost dynamics between them.

In a candid discussion, Rana revealed the massive budget gap that exists between the South and North Indian film industries. He pointed out that in states like Andhra Pradesh and Telangana, a small film can be made for just ₹2 to ₹2.5 crore, with an additional ₹1 crore sufficient for marketing and distribution. In contrast, a similar film in Bollywood, especially in cities like Mumbai or Delhi, requires a minimum of ₹10 crore just to release and promote.

“Even a basic release in the North demands 10 crores or more. That’s why smaller films get no space to breathe—they vanish in a week,” said Rana.

He further explained that South Indian cinema benefits from better infrastructure, more theaters, and integrated studio-theater systems. Many production houses in the South also run their theater chains, which cut down distribution costs significantly and give even small or experimental films a chance to succeed.

Unlike Bollywood, where only big-star movies dominate the screens, the South nurtures a variety of stories and fresh talent, thanks to a more flexible and inclusive system.

While some in the Hindi film circuit might argue otherwise, Rana’s observations are rooted in real industry experience—and for many insiders, they’re hard to deny.

Pawan Kalyan Recommends Trivikram for Ram Charan’s Next? Mega Collaboration Buzz Builds

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Pawan Kalyan Recommends Trivikram for Ram Charan’s Next? Mega Collaboration Buzz Builds

Pawan Kalyan Recommends Trivikram for Ram Charan’s Next? Mega Collaboration Buzz Builds

Until recently, director Trivikram Srinivas was closely associated with Allu Arjun’s next project—a high-budget mythological drama post-Pushpa 2. However, with Atlee stepping in for Bunny’s next venture, Trivikram had to put that plan on hold. In the meantime, he reportedly approached Victory Venkatesh for a possible collaboration.

But now, fresh rumors are taking over Tollywood circles—suggesting that Powerstar Pawan Kalyan is actively recommending Trivikram to team up with none other than Ram Charan.

Though reports of a Trivikram–Venkatesh film under Haarika & Haasine Creations were gaining traction, the sudden spotlight on a possible Ram Charan–Trivikram film has shifted attention. According to insiders, Ram Charan is currently immersed in Peddi and has officially signed his next with Sukumar. However, sources suggest that Sukumar’s script is still under development and lacks a final draft ready to roll.

Amid this uncertain timeline, Pawan Kalyan has reportedly stepped in, suggesting that Trivikram should move forward with Ram Charan’s film in the interim.

Adding to the speculation, Sitara Entertainments—known for backing Trivikram’s past ventures—has reportedly been eyeing this collaboration for a while. With a potential new production partner entering the picture, the project might finally gain momentum.

While no official confirmation has been made, insiders claim an announcement could drop soon. Meanwhile, Trivikram’s project with Venkatesh is still on track and remains unaffected by this new buzz.

Tharun Bhascker’s Ee Nagaraniki Emaindi 2 Script Finished – Fans Rejoice!

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Tharun Bhascker’s Ee Nagaraniki Emaindi 2 Script Finished – Fans Rejoice!

Tharun Bhascker’s Ee Nagaraniki Emaindi 2 Update Amazes Fans

After the lukewarm response to Keeda Cola, many wondered what was next for director-turned-actor Tharun Bhascker. But instead of backing off, he’s doubled down on what fans truly want: the much-anticipated sequel to Ee Nagaraniki Emaindi.

Tharun, who gained instant popularity with Pelli Choopulu, struck a chord with millennials through his honest, relatable storytelling. However, it was Ee Nagaraniki Emaindi that cemented his place as a cult favorite, thanks to its chill vibe, hilarious characters, and realistic depiction of friendships.

The film, featuring Vishwak Sen, Abhinav Gomatam, Venkatesh Kakumanu, and Sushanth Reddy, became a rewatch classic. Its OTT run and even re-release numbers proved the fandom is still alive and kicking.

Recently, Tharun shared a cryptic photo on Instagram — just his laptop screen with “The End” displayed. No caption. No explanation. Yet that was enough to send his 400,000-strong Instagram following into a frenzy. It was the silent confirmation that the script for Ee Nagaraniki Emaindi 2 is complete.

Though there’s no word yet on filming or the returning cast, fans of Tharun’s signature storytelling — laid-back, raw, and filled with heart — are ready. The buzz is real, and if this teaser is any indication, Ee Nagaraniki Emaindi 2 might just be the reunion they’ve been waiting for.

Rana Daggubati on Deepika’s 8-Hour Shift Row: “No One Is Forced”

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Rana Daggubati on Deepika’s 8-Hour Shift Row: “No One Is Forced”

Rana Daggubati Reacts to Deepika Padukone’s 8-Hour Workday Demand: “Nobody Is Forcing Anybody”

New Delhi: The controversy surrounding Deepika Padukone’s alleged demands on the sets of Spirit continues to stir conversations in the film industry. Reports suggest the actress was removed from Spirit, directed by Sandeep Reddy Vanga, due to her insistence on an 8-hour work shift, profit-sharing, a higher paycheck, and reportedly declining to deliver dialogues in Telugu.

As Deepika, now a new mother, advocated for a more balanced work-life approach, the debate intensified online and within industry circles. Adding his voice to the discussion, actor-producer Rana Daggubati recently addressed the matter in an interview with Lallantop Cinema.

Rana Weighs In: Work Hours Vary Across Industries

Rana Daggubati clarified that working hours differ based on regions and industry practices. “In Maharashtra, the norm is a 12-hour shift, while Telugu cinema generally follows an 8-hour schedule that starts at 7 AM,” he said.

He emphasized that work time isn’t a one-size-fits-all model. “Some films are large-scale productions where only a couple of key scenes are shot in a day. The level of preparation required changes the nature of the work,” he added.

“Nobody Is Forcing Anybody,” Says Rana

Responding to Deepika’s call for an 8-hour day, Rana made it clear that working in films is a personal choice. “Nobody is forcing anybody. It’s a job, and you can’t be compelled to do a job. Everyone prioritizes differently in life,” he explained.

He also shared that some actors work only four hours a day yet manage to accomplish more than others working eight. “That’s just their style. There’s no general rule,” he stated.

Deepika’s Exit from Spirit & Vanga’s Reaction

Following her exit, Spirit director Sandeep Reddy Vanga expressed disappointment through a post on X (formerly Twitter), indirectly criticizing Deepika. “There is an unsaid NDA between us. But by doing this, you’ve disclosed the person that you are,” he wrote. He accused her of trying to undermine a younger actress and concluded, “You didn’t get it. You won’t get it. You will never get it.”

Chiyaan Vikram Turns Down SSMB29? Here’s the Real Reason!

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Chiyaan Vikram Turns Down SSMB29? Here’s the Real Reason!

Chiyaan Vikram Not Part of SSMB29 – Here’s Why

National Award-winning actor Chiyaan Vikram was recently rumored to be part of the much-awaited action epic SSMB29, directed by SS Rajamouli and starring Mahesh Babu. However, fresh reports now reveal that Vikram has not signed on for the film, and here’s the likely reason behind it.

Sources close to the actor suggest that Vikram has long maintained a strict stance on avoiding antagonist roles, especially in big-budget hero-centric films. Though he has immense respect for Rajamouli and has reportedly met with him for discussions, no official agreement was reached.

This adds weight to the speculation that Vikram chose to step back because he did not want to play a secondary role or an outright villain in a film led by another leading star like Mahesh Babu. Moreover, the actor is also said to be focusing on solo lead projects that align with his brand and artistic values.

While fans were excited at the prospect of seeing Vikram in Rajamouli’s visionary universe, it looks like they’ll have to wait a bit longer to see this powerful collaboration materialize.

Why Deepika Padukone Was Replaced in Prabhas-Starrer ‘Spirit’

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Why Deepika Padukone Was Replaced in Prabhas-Starrer ‘Spirit’

Deepika Padukone Replaced in Prabhas ‘Spirit’—Here’s What Went Wrong

Deepika Padukone, one of India’s top actresses, was initially roped in to star opposite Prabhas in Spirit, directed by Animal fame Sandeep Reddy Vanga. However, she is no longer a part of the high-profile project.

While Deepika recently joined Allu Arjun and Atlee’s pan-Indian film, speculation swirled about her exit from Spirit. Now, credible sources close to the project have revealed the real reason behind the casting change.

Reportedly, Deepika’s team had put forth several conditions regarding remuneration, working hours, and scheduling — all of which were agreed upon by the filmmakers. However, one particular demand became a deal-breaker: Deepika’s refusal to deliver dialogues in Telugu.

Director Sandeep Reddy Vanga, known for his emphasis on authenticity, was reportedly not comfortable with this request. He believed the lead actress should speak Telugu in a Telugu-language film, especially opposite a star like Prabhas. This led to her being replaced by rising star Tripti Dimri, who is now confirmed to play the female lead.

Tripti, who gained national recognition for her performance in Animal, is seen as a strong fit for the role and is expected to bring a fresh dynamic to the film.

With Spirit being one of the most anticipated pan-India projects in Prabhas’ lineup, this casting shakeup has generated even more curiosity around the film.

Tollywood’s Hidden Heroes: Senior Star Uses Three Body Doubles

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Tollywood’s Hidden Heroes: Senior Star Uses Three Body Doubles

Three Body Doubles for an Aged Tollywood Hero

It’s a well-known fact in the film industry that one of Tollywood’s biggest stars relies heavily on a body double, not just for action sequences, but also for dance performances and long shots. This body double is a Telugu man who previously worked in Australia and now enjoys a comfortable lifestyle by doubling for the top actor.

But the surprises don’t end there. Another senior hero, currently in his 50s, reportedly employs not just one, but three body doubles. Known for having limited stamina and being involved in ventures outside acting, he depends on these doubles to handle the physically demanding parts of his roles.

Today, nearly all leading heroes in Tollywood use body doubles to take on strenuous scenes, allowing them to focus on their personal lives. Much like how famous writers rely on ghostwriters, these body doubles have quietly become the “ghost heroes” of the industry.

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