Chhaava brings the incredible story of Chhatrapati Sambhaji Maharaj to life, showcasing his bravery and struggles against the mighty Mughal empire. With Vicky Kaushal in the lead, the film arrived with great expectations. Does it deliver? Let’s find out in this Chhaava Telugu review.
Story:
The movie begins with the passing of Chhatrapati Shivaji Maharaj, leaving the Maratha Empire in turmoil. His son, Sambhaji Maharaj (Vicky Kaushal), takes charge, launching a bold attack on Burhanpur, a stronghold of the Mughals. This enrages Aurangzeb (Akshaye Khanna), who vows to destroy the Marathas. Despite Sambhaji’s strategic brilliance, betrayal from within leads to his capture. What follows is an emotional tale of resistance, sacrifice, and honor.
Plus Points:
✅ Vicky Kaushal’s outstanding performance as Sambhaji Maharaj steals the show, especially in the gripping climax.
✅ The film effectively captures the essence of Maratha valor and history.
✅ Supporting actors like Ashutosh Rana, Divya Dutta, and Diana Penty deliver solid performances.
✅ The climax is intense and emotionally powerful, leaving a lasting impact.
Minus Points:
❌ The first half feels slow, with some scenes dragging the pace.
❌ War sequences in the second half could have been more engaging.
❌ Akshaye Khanna as Aurangzeb needed a stronger presence to enhance the conflict.
❌ Some characters lack depth, which reduces the emotional impact.
Technical Aspects:
Direction: Laxman Utekar presents the story well but could have made the screenplay sharper.
Music: AR Rahman’s soundtrack is decent, but it lacks memorable tracks.
️ Cinematography: Saurabh Goswami’s visuals are functional but could have been more dynamic.
✂️ Editing: The first half could have been trimmed to maintain better pacing.
Verdict:
Overall, Chhaava is a decent historical drama powered by Vicky Kaushal’s brilliant performance and an impactful climax. However, its slow narration and lengthy runtime may not appeal to everyone. If you admire Maratha history, this film is worth a watch. For general audiences, it’s a one-time watch.
