Adivi Sesh Says Stories Thrive Without Ego – Talks About Dacoit & Mrunal Thakur

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“Stories Thrive When Ego Takes a Backseat,” Says Adivi Sesh on His Upcoming Film Dacoit

Adivi Sesh, known for his multi-faceted contributions to Telugu cinema as an actor, writer, and director, is gearing up for the release of his next big project—Dacoit. The Telugu-Hindi bilingual, directed by Shaneil Deo, features Mrunal Thakur as the female lead and promises to be a genre-bending romantic action drama.

In a recent interview with Mid-Day, Adivi Sesh offered insights into his creative process, emphasizing the importance of storytelling over stardom. “Stories thrive when ego takes a backseat,” Sesh remarked, calling Dacoit a two-hero film, where both protagonists share equal emotional weight.


A Two-Lead Narrative That Breaks Stereotypes

Dacoit is not a hero-centric film,” said Sesh. “It’s a love story that needs both leads to be strong, layered, and emotionally vulnerable. From the very beginning, I wrote it as a story of two equally important characters.”

Sesh praised his co-star Mrunal Thakur, saying her presence and commitment brought life to the story he envisioned. “As outsiders to the industry, there’s a shared sense of purpose between us,” he noted. “That connection adds honesty to our performances. We’re not just showing up; we’re building something.”


About Dacoit

  • Director: Shaneil Deo (known for Kshanam, Goodachari)

  • Cast: Adivi Sesh, Mrunal Thakur

  • Language: Telugu-Hindi Bilingual

  • Genre: Romantic action drama

  • Written by: Adivi Sesh

With Dacoit, Sesh and Deo are set to redefine genre tropes, moving away from male-dominated narratives and toward collaborative, character-driven storytelling.


Why This Matters

Amid ongoing conversations about gender representation and collaborative storytelling in Indian cinema, Adivi Sesh’s stance resonates with evolving audience expectations. His focus on equality, humility, and creative integrity signals a refreshing shift in Tollywood’s narrative priorities.

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