They Call Him OG: Ceded Rights Sold for ₹24 Cr to Naga Vamsi – Massive Deal Before Release

Power star Pawan Kalyan’s much-awaited gangster drama They Call Him OG is heating the trade circles ahead of its theatrical release on September 25, 2025. Directed by Sujeeth, this period action entertainer has already created massive buzz, and the latest deal proves its pre-release business is on fire.

As per industry insiders, the ceded region theatrical rights of They Call Him OG have been acquired by popular young producer and distributor Naga Vamsi for a jaw-dropping ₹24 crore. This massive sum indicates the film’s staggering hype and high market expectations.

With such a solid deal in place, trade experts are now watching closely to see how the film performs in other key territories like Nizam, Andhra, and overseas.

The film stars Priyanka Arul Mohan in a significant role as a doctor, while Bollywood actor Emraan Hashmi makes his grand Telugu debut as the antagonist. The powerful supporting cast includes Arjun Das, Prakash Raj, Shaam, and Sriya Reddy, all playing crucial roles in this intense gangster saga.

Backed by top producer DVV Danayya under the DVV Entertainment banner and featuring a thumping score by Thaman S, They Call Him OG is shaping up to be one of the biggest Telugu releases of 2025.

Akshay Kumar Asks for His Own Movie Review in Disguise – Audience Reaction Shocks!

Star Hero Disguises Himself to Ask for His Movie Review—Audience Reaction Shocks Everyone!

In a surprising and bold move, Bollywood superstar Akshay Kumar took to the streets to hear what audiences truly thought of his latest film, Housefull 5. The twist? He did it while wearing a mask, and no one recognized him.

Akshay Kumar, once considered a hit machine, has recently faced a streak of flops. Despite delivering back-to-back films every year, box office success has eluded him in recent times. His fans have been eagerly awaiting a strong comeback, and Housefull 5, a comedy entertainer, was expected to be that turning point.

With YouTube reviewers and social media influencers flocking to theaters for quick reactions, Akshay decided to flip the script. Wearing a mask and blending in with the crowd, he asked moviegoers for their honest feedback outside a theatre screening his film. The reactions were raw, unscripted, and, in some cases, brutally honest.

The video of this unexpected interaction quickly went viral on social media, with many netizens appreciating Akshay’s guts to face real criticism and his commitment to understanding his audience.

Fans online are calling this move “refreshing,” “humble,” and a “masterstroke” in PR. Others are hoping this signifies a new phase in Akshay’s career, where he takes time to focus on quality over quantity.

Whether this approach wins back the audience or not, one thing is certain: Akshay Kumar just changed how Bollywood heroes connect with their fans.

Housefull 5 Movie Review: Star-Studded Cruise Comedy

Movie: Housefull 5
Release Date: June 6, 2025
Director: Tarun Mansukhani
Starring: Akshay Kumar, Abhishek Bachchan, Riteish Deshmukh, Jacqueline Fernandez, Sonam Bajwa, Nargis Fakhri, Fardeen Khan, Nana Patekar, Jackie Shroff & others
Producers: Sajid Nadiadwala, Warda Nadiadwala, Firuzi Khan
Music: Julius Packiam, Yo Yo Honey Singh, Tanishk Bagchi
Cinematography: V. Manikandan
Editor: Rameshwar S. Bhagat


Review: Housefull 5—All Stars, All Laughs, But Not All There

Plot Summary:


Set entirely on a lavish cruise ship, Housefull 5 follows a chaotic inheritance saga. Billionaire Ranjit (played by Ranjeet) declares in his will that his wealth goes to Jolly, his second wife’s son. But Dev (Fardeen Khan), the son of the first wife, has other plans. Soon, three men (Akshay Kumar, Abhishek Bachchan, and Riteish Deshmukh) show up claiming to be Jolly, leading to hilarious confusion. A string of murders on the ship adds a twist—who is the real Jolly, and who’s behind the chaos?

Plus Points:

  • Ensemble Cast Madness: Seeing Bollywood heavyweights together, from Akshay Kumar to Nana Patekar, brings a visual treat for fans.

  • Confusion Comedy: The signature Housefull-style misunderstandings and identity mix-ups deliver consistent laughs.

  • Climax Surprise: A cleverly planted final reveal keeps the audience guessing till the end.

  • Cameos & Glamour: Unexpected appearances and extravagant visuals add mass appeal.


Minus Points:

  • Flat Screenplay: Despite the chaos, the story sticks to an overly familiar formula with predictable turns.

  • Slow First Half: The setup takes too long, and the pacing hampers the overall momentum.

  • Underused Talent: Many top-tier actors are reduced to filler roles with minimal impact.

  • Forced Humor & Songs: Some comedy sequences and musical numbers feel more obligatory than organic.


Technical Aspects:

  • Direction: Tarun Mansukhani manages the scale but not the soul. The film could use sharper emotional beats.

  • Music: The background score works better than the songs themselves, which lack lasting appeal.

  • Editing & Production: Grand visuals and sets stand out, but sluggish editing in several scenes holds the film back.

Verdict:

Housefull 5 delivers laughs but lacks the freshness that made earlier entries fun. It’s a star-powered ride best enjoyed with low expectations and a love for over-the-top comedy. Fans of the franchise will find moments to enjoy, while others might see it as a forgettable cruise comedy.

Sri Sri Sri Raajavaru Movie Review (2025) | Narne Nithin’s Dull Yet Predictable Drama

Movie Name: Sri Sri Sri Raajavaru

Release Date: June 06, 2025
Starring: Narne Nithiin, Sampada, Vijaykrishna Naresh, Rao Ramesh, Sudharshan, Racha Ravi, Subhalekha Sudhakar
Director: Vegesna Satish
Producers: Chinthapalli Ramarao
Music Director: Kailas Menon
Cinematographer: Damu Narravula

Jr. NTR’s brother-in-law, Narne Nithiin, known for his performances in the MAD franchise and Aay films, marks a new milestone with his latest release, Sri Sri Sri Raajavaru, hitting theaters today. Directed by Satish Vegesna of Sathamanam Bhavati fame, this movie is reportedly an adaptation of the Malayalam film Theevandi (2018), starring Tovino Thomas. Let’s dive into how the film fares.

Story:

Set against the backdrop of Atreyapuram, Andhra Pradesh, the story follows Raja (Narne Nithiin), a habitual smoker whose life takes a complicated turn when he falls in love with Nitya (Sampada Hulivana). What starts as a straightforward romance soon becomes strained due to Raja’s addiction, which not only threatens their relationship but also jeopardizes his father’s public reputation. The film explores whether Raja can overcome his habit or lose everything he holds dear.

Plus Points:

Narne Nithiin delivers a decent performance, handling action sequences confidently and delivering his dialogues with assurance. Sampada Hulivana brings charm to the screen and shows promise in select moments. Supporting actors Vijaykrishna Naresh and Rao Ramesh fulfill their roles as expected, while comedian Nellore Sudhakar provides occasional comic relief, albeit sparingly.

Minus Points:

The film’s major flaw lies in its predictability and uninspiring storytelling. The trailer already reveals the core plot, and the movie fails to bring anything fresh to the table. Instead, it leans heavily on clichés and preachy dialogues, sacrificing genuine emotional depth and entertainment.

Director Satish Vegesna, known for his heartwarming narratives, misses the mark here. The screenplay is bogged down by lengthy, unnecessary scenes that drag the pace. The humor feels outdated, and the emotional moments lack impact.

Characters frequently resort to moralizing, delivering punchy lines and analogies that feel forced rather than natural. One such awkward moment features a character stating, “Quitting smoking is like giving up power. It’s impossible.” These heavy-handed dialogues overshadow even the better lines.

Rao Ramesh’s portrayal of the strict, disapproving father feels repetitive, offering nothing new to his character arc. Additionally, several supporting characters contribute little to the overall story or its progression.

Technical Aspects:

Satish Vegesna’s direction lacks the emotional resonance and warmth he’s known for. Damu Narravula’s cinematography is adequate but unremarkable. Kailas Menon’s music offers minor relief but doesn’t make a lasting impression. Editing by Madhu could have been tighter, as many scenes feel unnecessarily prolonged. Production values meet basic standards without standing out.

Verdict:

Overall, Sri Sri Sri Raajavaru is an outdated and dull film that struggles to engage its audience. Narne Nithiin performs competently but isn’t given enough scope to shine. With recycled character tropes, sluggish narration, and minimal captivating moments, this one is easily skippable. Moviegoers would do better exploring other options currently playing at the box office.

#Single Movie Review: Sree Vishnu Shines in a Breezy, Pop-Culture-Packed Buddy Comedy

#Single Movie Review: A Lighthearted, Pop-Culture-Infused Buddy Comedy

Story:
Vijay (Sree Vishnu), a spirited and optimistic bank employee, is on a mission to end his bachelorhood. His romantic journey begins with Purva (Ketika Sharma), leading to a series of endearing and humorous attempts to win her heart. Just as things seem to be heading in the right direction, Harini (Ivana), a vibrant young woman, steps into his life, turning this pursuit into a hilarious love triangle. So, who does Vijay ultimately choose?

Review:
Directed by Caarthick Raju, #Single relies heavily on friendship, comedy, and a generous helping of pop culture references to keep the mood light and entertaining. The true highlight of the film is the effortless camaraderie between Sree Vishnu and Vennela Kishore. Their playful banter and comic timing inject energy into every scene they share, making their bromance the soul of the film.

From spoofing popular movie scenes to slipping in cheeky one-liners that mirror current trends, the film thrives on its relevance and self-aware humor. The film doesn’t aim for emotional depth, but rather, embraces its cheerful, easy-going nature.

Ketika Sharma and Ivana bring charm to their respective roles, even if their characters aren’t deeply developed. Rajendra Prasad appears briefly but manages to leave an impression with his signature screen presence. The supporting cast—VTV Ganesh, Prabhas Sreenu, and Kalpa Latha—add layers to the film’s fun, ensemble-driven energy.

Caarthick Raju’s direction maintains a feel-good vibe throughout, never attempting to delve into overly serious territory. While the screenplay dips into clichés at times, especially in the second half, the film’s breezy pace and short runtime of 129 minutes help it stay enjoyable without dragging.

Vishal Chandrashekhar’s music complements the film’s playful mood, while R. Velraj’s cinematography enhances the vibrant tone and settings.

Final Verdict:
#Single may not break new ground, but it serves as a delightful, no-pressure watch. With infectious humor, lively performances, and a steady stream of pop culture nods, this romantic comedy is perfect for anyone looking to unwind with a simple, cheerful film.

Sarangapani Jathakam Movie Review: Priyadarshi Shines in This Wholesome Comedy Entertainer

Sarangapani Jathakam Movie Review: A Wholesome Comedy with Heart and Humor

Sarangapani Jathakam, the latest Telugu comedy from director Mohanakrishna Indraganti, brings together a talented cast led by Priyadarshi, Roopa Koduvayur, and Vennela Kishore. Released in theaters today, the film promises a mix of fate, fun, and feel-good comedy.

Story Overview:
Sarangapani (Priyadarshi), a car salesman who puts blind faith in palmistry, falls in love with his rational manager, Maithili (Roopa Koduvayur). Just when life seems perfect, a palm reader predicts a dark twist in his future. Sarangapani’s desperate attempts to avoid this fate kick off a chain of comic events. Will the prediction come true? And how do Maithili, his friend Chandra (Vennela Kishore), and the mysterious Ahobila (Tanikella Bharani) play into his destiny?

Performances:
Priyadarshi is back in his comic zone and excels with a quirky, endearing performance. His chemistry with Vennela Kishore is a highlight, delivering consistent laughs. Viva Harsha, entering the second half, boosts the humor quotient further.

Roopa Koduvayur is graceful and grounded in her role, while the supporting cast — including Naresh, Devika, and Srinivas Avasarala — lend solid support. The dialogues land well, especially when delivered by seasoned comedians.

Drawbacks:
While the concept is fresh, the screenplay could’ve used more twists. The second half feels slightly sluggish, and the climax wraps up too quickly. Also, veteran actor Tanikella Bharani is underused, and a few coarse dialogues feel jarring in an otherwise clean comedy.

Technical Merits:
Indraganti shines in the comedy bits, but a tighter second half would’ve helped. PG Vinda’s cinematography is pleasant, and Vivek Sagar’s music complements the tone well. Editing is decent, but it could have benefited from sharper pacing.

Verdict:
Sarangapani Jathakam is a feel-good comedy with strong performances, especially by Priyadarshi and Vennela Kishore. Despite minor hiccups in the narrative, it delivers clean entertainment and is a good weekend pick for families looking for light laughter.

Game Changer Flop: 7.5-Hour Runtime and Editing Issues Spark Backlash

Ram Charan’s highly awaited film turned out to be a major game changer flop, leaving fans frustrated. While the box office outcome was disappointing, the real anger stems from how the film was shot and promoted. Directed by Shankar, who juggled this project with Indian 2, the film lacked the focused direction and polish expected from a high-budget production.

In a shocking twist, editor Shameer Muhammed recently disclosed that the raw footage of Game Changer ran a staggering 7.5 hours. “I reduced it to 3 hours, and then another editor trimmed it further,” said Shameer. He also revealed his dissatisfaction with Shankar’s working methods, calling the experience “horrible” and explaining why he walked away from the project mid-way.

These comments have sparked massive outrage online. Fans and netizens are blaming Shankar for the film’s downfall, accusing him of wasting time, resources, and talent. Game Changer, which should have been a milestone in Ram Charan’s career, sadly turned into a misstep for everyone involved.

HIT 3 Review & Collections: Nani Shines Bright Despite A Certificate

Nani is riding high on success, and his latest release HIT 3 proves it once again. The film opened with strong collections, and within two days, the numbers are already showcasing Nani’s growing box office power.

HIT 3 has received a lot of positive word of mouth, driving more footfall into theatres. What’s notable is that the film carries an A certificate due to its high level of violence, which typically limits the family audience. Still, the thriller is performing exceptionally well.

Trade analysts believe that had HIT 3 received a U/A certificate, the collections would have been even higher. Regardless, Nani’s star power is ensuring that the film dominates across major regions. Day-three figures are also projected to be massive if the trend continues.

Directed by Sailesh Kolanu, this intense crime thriller is produced by Nani and his team, and it’s quickly becoming one of the standout hits of the year.

Kalyan Ram & Vijayashanti Arjun S/o Vyjayanthi Movie Review

Arjun S/o Vyjayanthi is a Telugu emotional action drama released on April 18, 2025, starring Nandamuri Kalyan Ram and the iconic Vijayashanti. Directed by Pradeep Chilukuri, the film comes with decent expectations and delivers a mix of family sentiment and stylish action. Here’s our Arjun S/o Vyjayanthi movie review to help you decide whether it’s worth your weekend watch.

Story Overview:

Set in Vizag, the film follows Arjun Vishwanath (Kalyan Ram), the son of a brave IPS officer, Vyjayanthi (Vijayashanti). She dreams of seeing her son follow in her footsteps. However, life takes an unexpected turn, and the mother-son duo is separated. Arjun becomes a vigilante-like figure in Vizag, while a mysterious enemy named Pathaan (Sohail Khan) sets his sights on Vyjayanthi. The rest of the film reveals why Vyjayanthi distances herself from Arjun, what drives Pathaan’s revenge, and whether mother and son reconcile.

Plus Points:

  • Kalyan Ram delivers a powerful performance, particularly in emotional and action sequences.
  • Vijayashanti plays a strong, emotional role that anchors the narrative.
  • The screenplay is smooth and engaging, even with a predictable story.
  • Action scenes are well-executed and visually appealing.
  • Supporting cast including Sohail Khan, Srikanth, and Animal Babloo add value to the film.
  • The climax twist adds intrigue.

Minus Points:

  • Emotional depth is somewhat lacking; stronger dialogues would’ve helped.
  • A few scenes feel exaggerated and illogical, affecting realism.
  • Saiee Manjrekar’s role is underdeveloped and lacks screen impact.
  • Songs are average and don’t leave a lasting impression.

Technical Aspects:

  • Direction by Pradeep Chilukuri is decent for a familiar story.
  • Cinematography by Ram Prasad is visually rich.
  • Editing by Thammiraju is tight and well-paced.
  • Ajaneesh Loknath’s music complements the film, though some tracks lack originality.
  • Overall production values are solid.

Final Verdict:

Arjun S/o Vyjayanthi is a watchable action-drama with heartfelt mother-son emotions. While it treads a familiar path, the engaging narration and performances by Kalyan Ram and Vijayashanti make it worth your time. If you’re into emotional action films, this one’s a decent pick for the weekend.

Odela 2 Movie Review: A Supernatural Thriller That Misses the Mark Despite Strong Performances

Odela 2 Movie Review: Thriller with Sparks but Lacks Fire

Released on April 17, 2025, Odela 2 is the sequel to the 2022 OTT film Odela Railway Station. Starring Tamannaah Bhatia, Hebah Patel, and Vasishta N. Simha, and directed by Ashok Teja, the film promised a gripping supernatural thriller. However, the final product offers only brief moments of intrigue amidst a largely predictable and underwhelming experience.

Story Overview:

In the mysterious village of Odela, the villagers seal the corpse of Tirupathi (Vasishta), a man who committed a string of brutal rapes and murders. But peace doesn’t last long—his vengeful spirit returns six months later, terrorizing women once again. Enter Bhairavi (Tamannaah Bhatia), a fierce Shiva Shakti, summoned to stop the evil force and bring peace back to the village. As she uncovers the truth behind Tirupathi’s death and her own ties to the village, the final battle between light and darkness unfolds.

What Works:

  • Vasishta N. Simha delivers a solid performance as the antagonist, with strong screen presence and well-shot confrontations with Tamannaah.
  • Tamannaah impresses in certain emotional and action scenes, especially in the second half, even though her character arrives late in the film.
  • A few scenes, like the murders and the climax involving Lord Shiva, manage to stand out with decent impact.

What Doesn’t:

  • The plot is thin and highly predictable, lacking fresh twists or emotional weight.
  • The screenplay fails to build tension, and pacing issues affect the overall engagement.
  • Tamannaah’s character could have been written with more depth; the divine and dramatic angles feel half-baked.
  • Supporting characters, including Murali Sharma’s role, feel underused and poorly fleshed out.
  • The music and visuals fall flat in crucial moments, and the VFX work feels dated for a supernatural thriller.

Technical Aspects:

  • Director Ashok Teja tries to bring Sampath Nandi’s story to life but struggles to maintain momentum.
  • B. Ajaneesh Loknath’s music is serviceable but lacks high-impact moments.
  • Soundararajan’s cinematography and Avinash’s editing do little to elevate the film, with some scenes dragging unnecessarily.
  • The film’s production values are decent but not memorable.

Verdict:

Odela 2 offers a few scattered highlights but is ultimately a supernatural thriller that lacks punch. While Vasishta’s performance stands out and Tamannaah delivers in parts, the film falters due to a weak storyline, poor pacing, and an underdeveloped emotional core. Enter the theatre with modest expectations, especially if you’re a fan of the genre.

Rating: 2.75/5