‘Hello’ Movie Review by Telugu Bullet

‘Hello’ Movie Review

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Actors: Akhil, Kalyani Priyadharshan, Ramya Krishna, Jagapathi Babu
Producer: Nagarjuna
Director: Vikram K. Kumar
Cinematography: P.S. Vinod
Editor: Praveen Pudi
Music: Anoop Rubens

Akhil’s latest film ‘Hello’ has generated hype before its release. With Megastar Chiranjeevi lauding the film for its emotional touch and brilliant performance of Akhil in the film, the expectations on the film increased. Even Nagarjuna stated that ‘Hello’ will stand out as a grand re-launch for Akhil. Vikram, who directed super hit films like Manam and 24 directed this film. Let us take a look whether the audience clearly heard ‘Hello’ from Akhil’s ‘Hello’.

Story:

The story is pretty straightforward and simple. Akhil lives as an orphan during his childhood. He meets a girl from a rich family [during his childhood]. They both get separated with time. Later, Akhil is adopted by a very loving and caring couple. After few years, Akhil and that girl (Kalyani Priyadarshan) meet. But are unaware that they are childhood friends. Akhil tries calling a phone number which acts as a bridge between the two. The rest of the story is whether Akhil will meet her? Will they reunite?

Analysis:

After hearing the title, and looking at the teaser, everyone thought ‘Hello’ would be a film far away from Tollywood stereotypes. The moment you start watching the film, it feels like a blend of the old and new movie. You are bound to recollect movies like Mansantha Nuvve, Thuneega Thuneega as you watch Hello. It’s pretty difficult for this generation audience to connect with this kind of film. The director’s intention to include commercial elements in a feel-good movie comes as a surprise.

Though few scenes in which hero and heroine become desperate for their soulmate seem appealing, the point that separates them doesn’t seem convincing. This greatly diminished any scope for ‘drama’ in the film whatsoever. The film doesn’t consist of any ‘flashback’ scenes. The voice over the effort of Nagarjuna fails to engage the audience.

No doubt, the director might have felt the weights on his shoulders. This can be clearly seen both in the direction and screenplay department. It feels as if the director has been forced to include some sequences in the film.

Talking about Akhil, he performed exceptionally well in the high-octane action sequences. Again, one might feel the lack of necessity of such actions sequences for a feel-good movie. Akhil needs to work on emotional scenes as an actor. Heroine, Kalyani Priyadarshan failed to mesmerize the audience with her charm or beauty. The only thing you remember as you walk out the theatre is Ramya Krishna and Jagapathi Babu who played the role of parents for Akhil.

Plus Points:

  • Few scenes between Hero and Heroine
  • Action Sequences
  • Dialogues
  • Music (in bits and pieces)

Drawbacks:

  • Weak Script
  • Unwanted Action dose
  • Lack of Drama and Emotions

Telugu Bullet Punchline:

Nagarjuna’s dream of ‘re-launching’ Akhil still remains as a ‘dream’ even after ‘Hello’

Rating: 2.5/5

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Nani’s ‘MCA – Middle Class Abbayi’ Review

Middle Class Abbayi Review

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Actors: Nani, Sai Pallavi, Bhumika, Rajiv Kanakala

Producer: Dillraju

Director: Venu Sriram

Cinematography: Sameer Reddy

Editor: Praveen Pudi

Music: Devi Sri Prasad

Nani’s market has increased from 3 crores to 30 crores in the last 3 years. While heroes hailing from film fraternity are finding it hard to establish themselves, Nani has already emerged as a ‘Star’ hero. He has been on a spree of signing films in the past few years. His choice of movies played a crucial role in his successful career. His latest movie, MCA – Middle Class Abbayi is directed by Sriram Venu who is making a comeback after five years. He directed the film ‘Oh My Friend’ in the past.Let us take a look at ‘MCA – Middle Class Abbayi’.

Story:

The story rather starts with an emotional backdrop. Nani loses his mother during his childhood. His elder brother (Rajiv Kanakala) looks after Nani. They both develop a strong bonding right from their childhood. Soon, after getting a job, Nani’s elder brother finds hard to look after Nani.

Nani’s brother gets married [to Bhumika]. After his brother’s marriage, Nani starts feeling insecure about his relationship with this brother. At that juncture, Nani’s brother gets transferred to Delhi, and his sister-in-law (SIL) gets transferred to Warangal due to their respective professions. Nani is forced to accompany his SIL. It is at that time an unexpected event takes place in their lives.

By the time Nani realizes the value of his SIL, she faces a life-threatening situation. The rest of the films is all about, who is the behind all this and why?How did Nani manage to save the life of his Sister-in-law?

Analysis:

In recent times, many Telugu films shed light on the relation between brother-in-law and sister-in-law. But MCA becomes the first film to take the relationship as the central point of the movie. Nani and Bhumika excelled in their roles beautifully. It looks like the director did not concentrate deeply to bring out the true essence of their relationship. And even the scene in which Nani realizes his SIL’s goodness seems to be quite pale, lacking elevation and emotional depth.

More or less, the film’s central point drifted towards the love track between Nani and Sai Pallavi. With Sai Pallavi giving one her best performances, and Nani delivering his magic, the first half of the film disappears in a blink with clean and wholesome entertainment.

With the kind of villain’s introduction and build-up, and the photographic memory of the hero, one is bound to expect a thrilling second half. This is where the director fell falt. There are hardly any scenes that depict mind game between the hero and the villain. The characterization of the villain is far from cry when compared to his introduction. Scenes between the hero and the villain test our memory about past Telugu films. It is clear that the director lost his grip during the second half of the film. Everyone who has seen the movie might feel that the director has missed something very dearly. Overall, though the first is excellent, the second half gravely disappoints.

If the director had taken extra effort in writing the scenes between the hero and villain in the second half, MCA – Middle Class Abbayi would have turned out to be another blockbuster in Nani’s career. With nothing as expected, the film remains close to another routine Tollywood flick.

Plus Points

  • Nani & Sai Pallavi acting
  • Vijay Varma’s (Villain) acting
  • First Half and dialogues
  • DSP Music elevates the film
  • Rich production values from Dil Raju

Drawbacks:

  • Second Half
  • Hero – Villain episode in 2nd half
  • Weak screenplay between Nani and Bhumika
  • Love track dominating the central point

Telugu Bullet punchline: Middle Class Abbayi just manages to ‘Time pass’!

Rating: 2.75/5

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‘Saptagiri LLB’ Telugu Movie review

‘Saptagiri LLB’ Movie review

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‘Saptagiri LLB’ is the official remake of Bollywood hit film ‘Jolly LLB 2’. It was a black comedy film, with comedy, entertainment, scenes questioning the honesty of the lawyers and power-packed courtroom scenes as its main strengths. Akshay Kumar received critical acclaim for his role in the Hindi version. Hoping that the film would bring success if a remake is made in Telugu, producer Dr. Ravi Kiran purchased the remake rights to the film and produced Saptagiri LLB with Saptagiri as the lead cast.

Story:

Saptagiri, a son of a farmer hails from a small village. After fighting many cases in the village, Saptagiri feels that he could get the recognition, name, and money only if he practices law in the city. He also wishes to marry his cousin. He comes to Hyderabad and lives with his brother-in-law. In due course, he comes to know that a lawyer named Raj Pal (Sai Kumar) saves the accused from an accident case, in which many have lost their lives. Saptagiri chooses to file a PIL in the court. The rest of the story all what difficulties he faced after filing the PIL? How did he overcome those difficulties? And who died in that accident? and finally, how did he manage to achieve his mission?

Analysis:

Director Charan Lakkakula made necessary changes to the original screenplay to suit the Telugu nativity. The film revolves around the sensitive point that how the accused in many road accidents are going scot-free. Saptagiri’s transformation from a comedy role in the first half to an intense emotional role in the later part of the film is a treat to watch. He shows his acting skills in the scene where he brings justice to Farmers. The Courtroom scenes are the highlight of the film.

The comedy track, along with romantic scenes and songs manage to hold the audience for the first half. The second half has its equal share of romantic track and ingesting twists that elevate the film gradually. The emotional courtroom scene at the climax takes the film to its peak.

The audience will have a good laughter watching Saptagiri and Shakalaka Shankar on the screen. Sai Kumar and Saptagiri are a plus for the movie. Saptagiri managed to fare well in songs and fights. The BGM elevates the emotional scenes. Screenplay and direction complement each other. The film is produced with good production values. 

 Plus Points:

  • Screenplay &Direction
  • Performances of Saptagiri and Sai Kumar
  • Emotional Court scene at the climax

Drawbacks:

  • First half
  • Drag and slow narration.

Telugu Bullet Punch Line: Saptagiri manages to win his ‘Saptagiri LLB’ case at the Box Office! 

Telugu Bullet Rating: 3.5/5

Some More Interesting News Updates:

Dil Raju’s record to create trouble to Akhil’s ‘Hello’?

Pawan Kalyan and Jagan fall into trap| Chandrababu Naidu Dil Kush!

Malli Rava Telugu Bullet Review

Malli Rava review

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It’s been a long time since Akkineni camp hero Sumanth had a hit at the Telugu box office. That’s the reason producers and directors hardly approached Sumanth in the recent times. After his film ‘Naruda Donaruda’ flopped at the box office, it is only ‘Malli Rava’ offer that went to the hero. Though the producer and director are beginners, it’s really a brave move by Sumanth to go ahead with them. let us take a look whether the film fared well at the box office or not!

Story:

The story revolves around the two principal characters; Karthik (Sumanth) and Anjali (Akanksha Singh). They both love each other right from their teenage. While everything seems to go on a positive note, they either end up in dispute or someone brings a rift between them. At a point where, marriage is the next immediate thing, the couple break-up. The rest of the story is all about the consequences that lead to their breakup, and whether the couple had a happy ending or not.

Analysis:

Given the film’s story that starts in 1997 and ends in 2017 introduces us to a new style of flashback approach. The narration scores better than the film’s story. The director was successful in depicting a ‘realistic story’ rather than a movie. Director Gowtham stayed away from unwanted emotional scenes, comedy track and commercial scenes. He managed to stick to his point on how love changes through teenage and later stages in life. The screenplay is the greatest strength of the film. Director managed to illustrate various aspects that take place in different phases of life without any confusion or muddle.

Hero Sumanth proved how good an actor he is, given a good subject and a talented director. It’s hard to find Sumanth in the film. Karthik will surely travel with you to home. This is undoubtedly the best performance in Sumanth’s career. Sumanth’s exhibition of subtle emotions is fantastic to watch on the big screen. Even Akanksha Singh as Anjali excelled beautifully. The lead pair clearly lived up to the expectations of the director.

On the technical front, Cinematography, Music and production values added value to the film.

Plus Points:

  • Direction and Screenplay
  • Sumanth and Akanksha Singh Acting
  • Dialogues by Gowtham

Drawbacks:

  • Slow and draggy in few scenes

Telugu Bullet Punch Line: Sumanth to pull you back to theatres with ‘Malli Rava’! Don’t miss out!

Telugu Bullet Rating: 3.25/5

Some More Interesting News Updates:

Dil Raju’s record to create trouble to Akhil’s ‘Hello’?

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Jawaan Telugu Bullet Review

‘Jawaan’ Telugu Bullet Review

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Mega Hero Sai Dharam Tej has been patiently waiting for commercial success for a very long time. Similarly, BVS Ravi who had seen a flop with his first film ‘Wanted’ in 2011, took a long while before coming up with his 2nd directorial venture ‘Jawaan’. The film expectation rose after Dil Raju chose to present the film in the theatres. Let us see whether Jawaan gave the much-needed boost for the hero and the director.

Story:

The two main characters, Jai and Keshav represent the good and bad personalities of a human being. Every drop of blood in Jai reflects his patriotism, after being influenced by RSS policies and speeches. Meanwhile, Keshav is all about ‘steal to win’, who can commit crimes to fulfill his dream. Keshav ends up as a notorious criminal in a short span.

Jai’s ambition is to work for the DRDO. Meanwhile, the scientists at DRDO design world’s most advanced missile vehicle ‘Octopus’. Knowing this an international criminal network offers Rs 500 crores to Keshav in order to get the blueprint of ‘Octopus’ missile vehicle. But Jai comes in way of Keshav’s plans to steal the blueprint. The rest of the story is all about how Jai managed to save the family and how he transforms Keshav into a good human being.

Analysis:

Jawaan film reminds us many similar films from the past, based on a similar story. The first half seems to be routine and pale for most of the time. The film picks up the pace and grabs the attention of the audience with the episode of Jai saving the ‘Octopus’ from falling into the criminal’s hand. The film manages to grasp the audience by the time the second half starts.

The scene in which, the villain warns the hero’s family sitting in their house, and the scouting for the villain are absolutely fantastic. They will surely have a great impact on the audience. But the director failed to hold the suspense after these scenes end. The climax seems to be pretty flat after the hero nabs the villain. The villain’s characterization routine and boring throughout the film. Heroine Mehreen Pirzada is strictly restricted to songs, romantic track and glamour show.

There is absolutely no episode featuring ‘mind game’ between the hero and villain. The scenes in which hero saves his family, hero-villain telephonic conversation, patriotism and the ‘measuring scale of failure’ will surely impress the audience. Songs at unwanted intervals disturb the film’s pace. The film missed the ‘feel’ on a whole.

Putting aside everything, Sai Dharam Tej shows some improvement in acting. Prasanna who played the villain character excelled brilliantly. The family members of Jai did a decent job.

Plus Points:

  • Hero-Villain scenes
  • Episode featuring Jai and ‘Octopus’ Missile
  • Heroine Glamour

Drawbacks:

  • Routine Storyline
  • Weak screenplay
  • Climax

Telugu Bullet Punch Lines: ‘Jawaan’ misses the target for most of the time. Decent Action Film.

Rating: 2.75/5

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‘Indrasena’ Telugu Bullet Review

‘Indrasena’ Telugu Movie Review and Rating

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Tamil hero Vijay Antony is a well-known name among the Telugu audience, thanks to his unique films like Dr. Salim, Bichagaadu, Bethaludu. In his latest installment, Vijay Antony is once again trying his luck with his latest dubbed film ‘Indrasena’. Speaking at a promotional event of the film, Vijay Antony said, ‘I am not a great actor. My films are successful because of the subject I choose. This is the reason I’m able to deliver unique films’. Let us know about the fate of ‘Indrasena’.

Story:

The story is about two twins; Elder one, Indrasena and younger one Rudrasena. Though the kids birth is separated by a fraction of a second, their choices in life are completely opposite. Indrasena heads a textile business and tries to keep life under his control. After Indrasena falls in love with Chitra, a beautician, he faces a lot of hardships due to Rudrasena’s behavior. Rudrasena life is more like a free bird and he goes with the wind. Given his nature, he ends up with various bad influences. Rudrasena also has a love interest in his life.

The rest of the story revolves around what sacrifices Indrasena had made, and what hardships he had to face in order to save the life of Rudrasena.

Analysis:

The director G Srinivasan has been successful in his attempt to showcase the bonding between brothers and relationships in the family. Rather than taking a stereotype format to showcase family values, the director’s efforts in exemplifying how one should lead their life by showing the contrast between twins is highly appreciable.

Indrasena is a different film in the ‘Twins-based’ genre. It feels like the screenplay lacks a bit of pace. But if the audience is glued to the movie, the screenplay pace can be ignored. If you go with an expectation of ‘routine entertainment’, Indrasena will surely disappoint you. It is a unique film from Vijay Antony and is a hit in its own class.  

Radhika Sarath Kumar and Vijay Antony have produced the film jointly. Apart from being a co-producer and hero, Vijay even took charge of music and editing departments. He excelled brilliantly in all the departments. Director G Srinivasan has written the story for the film.

Plus Points:

  • Story
  • Vijay Antony

Minus Points:

  • Slow Narration
  • Typical Tamil flavour in few scenes

Telugu Bullet Punchline: ‘Indrasena’ – A tale of twins, where only one wins!

Rating: 3/5

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‘Oxygen’ Telugu Movie Review

‘Oxygen’ Telugu Movie Review and Rating

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No one could possible expected a Telugu film to be titled as ‘Oxygen’. But hero Gopichand, who is desperate for commercial success hopes that his film ‘Oxygen’ would truly bring him to life once again. The film is directed by Jyothi Krishna; son of famous producer AM Ratnam. The film’s screenplay was also written by AM Ratnam. The film is produced by S. Aishwarya on Sri Sai Raam Creations. Though the trailer is more or less like a routine commercial entertainer, the title of the film kept everyone guessing about its content.

Story:

The film’s story is about a young man, who leads a happy and picture-perfect life with his family members, his loved one, and his four hilarious friends. An unexpected incident turns his life upside-down. He loses all his dears one in an attack by an unknown ‘enemy’. The young man starts to tracing the man behind this barbaric crime. Unexpected twists and turns welcome him all throughout his journey. Will he be able to trace his enemy? And why is this revenge drama named Oxygen? To know these things, one needs to watch the film on the celluloid.

Analysis:

For a film to be successful it should at least sport one of the following three; new plot, brilliant direction or unique screenplay and narration. Director Jyothi Krishna has excelled in implementing ‘unique screenplay and narration’. The inclusion of bizarre elements in a routine revenge story works in big time. Though the story is plain and routine, the screenplay from AM Ratnam is absolutely terrific. It gives the film a completely different look.

The audience takes the film for granted until the interval. The interval-bang in the movie jolts the audience and leaves them with surprise. The rest of the film is nothing short of a roller coaster ride. The film ‘Oxygen’ will surely breathe oxygen into the lives of Jyothi Krishna and hero Gopichand.

Jyothi Krishna is credited as the story-writer for Megastar Chiranjeevi’s film ‘Sneham Kosam’ that released in 1999. Though he has directed a couple of films in the past, they bombed at the box office. After taking a gap for a long while, the director surely delivered a hit with ‘Oxygen’.

Despite nothing new about Gopichand’s performance, he seemed to perform exceedingly well in scenes in the movie. Jagapathi Babu and Rashi Khanna have done justice to their roles in the film. Anu Immanuel, Vennela Kishore, Ashish Vidhyarthi, Shiyaji Shinde and Abhimanyu Singh are a plus for the film.

The film’s technical department is undoubtedly the pillar of strength. Yuvan’s music and Chota K Naidu’s cinematography are a sure watch out in the film.

Plus Points:

  • Direction & Screenplay
  • Twists
  • Hero Gopichand

Drawbacks:

  • Routine Story

Telugu Bullet punch line: ‘Oxygen’ becomes life-supporter for the hero and director! Rating: 3.25/5

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‘Balakrishnudu’ Review

‘Balakrishnudu’ Review

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Nara Rohit is one hero who continued doing films irrespective of the hit and flop ratio. He is often known for his selection of unique films. His recent film, ‘Balakrishnudu’ released today. Let us see whether he has fared well or failed at the box office!

Story:

The film is set in the Rayalaseema region which is known for its factionists. Many people are killed in the name of faction by factionist leaders and groups. The two siblings, Ravinder Reddy (Aditya Menon) and Bhanumathi (Ramya Krishna) from Kurnool aim to change the mindset of the people. They both work together and develop the village. They stand as support to the people in the village. Ravinder Reddy’s counterpart, BC Reddy gets jealous over the former’s popularity and admiration in the village. He tries to stop the noble activities being carried out by Ravinder Reddy. Knowing this, Ravinder Reddy humiliates BC Reddy in front of the villagers. Unable to take humiliation, BC Reddy commits suicide. Soon, BC Reddy’s son Prathap Reddy (Ajay) and his group kill Ravinder Reddy.

Bhanumathi who is raged over the death of her brother starts killing each and every one in Prathap Reddy group. Realizing his death is inevitable, Prathap Reddy surrenders to the police. During his stint in the jail, Prathap Reddy plans the death of Bhanumathi’s niece Aadhya (Regina). On knowing this, Bhanumathi employs Balu (Nara Rohit) as Aadhya’s bodyguard. Balu develops a close relationship with Aadhya without letting her know who he is. Meanwhile, Prathap Reddy gets released from the jail earlier than thought for his good conduct. The rest of the story is how Prathap Reddy planned to kill Aadhya, how did Balu manage to save her from Prathap Reddy and what is the final conclusion of the movie.

Analysis:

Nara Rohit’s physical appearance comes as a surprise. Except for few scenes and songs where he is seen sporting a six-pack, he looks chubby for the rest of the film. Nara Rohit failed to impress the audience with his dance and fights. Things went so bad for him that, Regina had more screen time in the song before the pre-climax. The whole film revolves around Regina’s Aadhya character. She has done justice for her role in the film.

Though Ramya Krishna character seemed like it is a lot of depth, it slows deteriorates with the runtime. Ajay who has acted as the main villain failed to show ‘new mannerisms’ in the film. Prudhvi (30-years Industry) is the only one who has to be credited in the film. With his impeccable timing and dialogue delivery, he manages to entertain the audience for a good while. Vennela Kishore, Raghubabu, Srinivas Reddy and others performed their roles decently well. 

The film is a complete letdown form the director Pavan Mallela. There was nothing new in the whole film. The story, narration, and screenplay seemed very routine. Mani Sharma’s troubles as music director continue even with this film. On the whole, Nara Rohit wholeheartedly disappointed his fans and audience by acting in a routine and a boring movie.

Plus Points:

  • Regina’s skin show for B & C Centers
  • Initial screen presence of Ramya Krishna

Drawbacks:

  • Everything in the film

Punchline: The film lacks punch in everything. Skip it and save your bucks. Rating: 2.5/5

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‘Devi Sri Prasad’ Review

‘Mental Madhilo’ Review

‘Devi Sri Prasad’ Review

‘Devi Sri Prasad’ Review

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The film ‘Devi Sri Prasad’ clearly represents the new trend of filmmaking in Telugu Film Industry. The whole concept of the film revolves around a single point; Sex with a dead body. If a director approached a producer with this kind of concept a decade ago, he would be immediately necked-out of the office. But it is really a gutsy move from the director to come out with such a strong ‘negative point’. The film is loosely based on a Korean movie.

Story:

The film opens with three friends; Devi, Sri, and Prasad. Devi works as an auto driver, while Sri works in a hospital as ward boy and Prasad runs a tea stall. Each has a different characterization in the film. Devi by nature is ‘wild’ guy. Sri is more like a ‘go with the wind’ type while Prasad seems to be the ‘good guy’ in the film. All the three friends like the heroine ‘Leela’. After they come to know that their favourite heroine is participating in a shooting nearby they go to the location. Later they come to know that Leela has died in an accident.

The heroine’s dead body will be brought to the hospital where Sri is working. Sri informs the same to Devi and Prasad. On seeing Leela (dead body) from a very close distance, pervert thoughts occupy the mind of Devi. Suddenly Leela comes to life. The rest of the story is about how Leela came to life, what has happened and how do the lives of these three friends turn out to be.

Analysis

The film revolves around the basic thought of, ‘there is no security for women even after their death’. The director chose to tell this serious subject in a unique and different manner. We can say, the director has been successful in expressing what he wanted to tell. When the film’s script revolves around a crime story, it is very important to have a logical explanation for the most part. But the director clearly moves too far away from logic. The best part of the whole film is its run-time. Being a 90-minute feature film, it’s crisp and paced. One has to appreciate the director’s effort in making the film with just 5 characters.

Bhupal, Dhanraj, and Manoj Nandan as Devi, Sri, and Prasad have done justice to their roles. Pooja Ramachandran played the character of ‘Leela’. The heroine managed to perform well in her role. Kraman’s music helps in elevating the mood of the film, and Cinematography from Phanindra Varma seems decent. Few dialogues from the film surely accompany us till home. Sekhar Vikyath has written the dialogues for the film.

Plus Points:

  • Plot of the film
  • Direction
  • Lead Actors

Drawbacks:

  • The film misses Logic by too much

Telugu Bullet Punchline: ‘Devi Sri Prasad’, is a clear hint of youth in today’s society

Rating: 2.75 / 5

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‘Mental Madhilo’ Review

‘Mental Madhilo’ Review

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After tasting success with his first production ‘Pelli Choopulu’, producer Raj Kandukuri comes up with his second production ‘Mental Madhilo’. The film introduces new director Vivek Athreya. After giving a commercial hit like Pelli Choopulu, a producer is bound to be under some pressure. The producer needs to make his judgment in the midst of the future of his production and the past success. Let us know whether Raj Kandukuri’s judgment proved worthy or not.

Story:

Aravind Krishna is a simple guy who works for an IT company. He keeps himself away from women. He is often confused in his decision making. On the other side, we have Sweccha who is a young energetic girl. She is ultra-modern and is clear about her decision-making ability. Interestingly, Aravind’s marriage is arranged with Sweccha. After their engagement gets postponed due to some reasons, Aravind leaves to Mumbai for an official purpose. On his return to Hyderabad, he calls-off the marriage with Sweccha. The rest of the film is all about the reasons behind his change of mind, and how the couple ends up.

Analysis:

In an age where Telugu cinema is dominated by a ‘formulaic’ approach, the film comes as a fresh-breather. The film seconds the fact that the director has a comprehensive grip on the language, the middle-class environment, and youth’s emotions. Nowhere we find a romantic scene or unusual dialogue. The film solely relies on the script and screenplay. It is hard to believe that this is the directorial debut for Vivek. He managed to showcase the emotions and feelings of the characters close to audience hearts. Vivek Athreya is definitely a watch-out talent in the future.

The actors have played their roles brilliantly. We only get to see the characters than the actors in the film. Sri Vishnu is evolving as a wonderful actor. It is understood by the way he played the role of ‘Aravind Krishna’. Similarly, heroine Nivetha Pethuraj excelled brilliantly as ‘Sweccha’. ‘Amrutha Srinivasan’ played by Sivaji Raja leaves a deep impact even after the audience leaves the theatres. 

Cinematography and Music are strong supporting elements of the film. The producer’s mark is clearly seen right from the selection of the cast and crew, production standards, marketing and promotion of the film. The Telugu Film industry needs producers like Raj Kandukuri to hold its head high.

Plus Points:

  • Everything in the film
  • Cast and Crew

Drawbacks:

  • Get a microscope!

Punch Line: The film shows the ‘real you’ to you!

Rating: 4/5

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